|One of my Index cards from the ICAD challenge.|
Before I first started painting in June of 2012, on those index cards that seemed so innocuous but proved to be carriers of the deadly “art attack” virus, I had no idea how much I had missed art in my life. You see, way back when, years ago, in Junior High School and some in High School, I took great joy in creating. Drawing, using oil pastels, markers, colored pencils. I didn’t paint much back then, though I’m sure at some point I must have used paint a little, I really don’t remember, but it certainly wasn’t a medium that I used regularly… at any rate, at that time I really loved art. For some reason, shortly after high school, I stopped. Perhaps it was because the responsibilities of adult life left little time for it, and little money for supplies. Perhaps it was because of other issues I was dealing with that caused me to feel unworthy of something that would bring me joy. Perhaps I just didn’t get around to it. For whatever reason though, art was no longer a part of my life. Occasionally I would do crafts, make Christmas ornaments, crochet baby clothes, something like that, but drawing, or “painting” with colored pencils or pastels, was completely forgotten.
After starting the ICAD challenge though, I quickly realized I was hooked, not just on art, but in particular on painting. It wasn’t long before I wanted to move beyond the index cards and onto a canvas. Since then, I’ve painted and painted and painted. Having had no formal training, I have learned most of what I know by trial and error, often with many errors repeated again and again (when will I finally automatically paint background objects BEFORE foreground objects???). I’ve watched a few how-to videos, and read a few books, but mostly I’m self taught… I’ve been learning to paint by PAINTING. Eventually I might like to go for my BFA, but in the meantime I just continue to paint.
Recently, the gallery owner where my work is sometimes displayed suggested that I take part in a local juried show. He felt that it would give me more exposure, and also give me a chance to see how my work compares with other local artists and to get feedback from more people. I looked over the work I had, and felt that there were many things I had learned recently that didn’t show in those pieces, so I decided to create three pieces specifically for the show, being mindful to apply everything I’ve learned up until now. In other words, I wanted to really stretch myself to the limits of my current skills and abilities, so that I would be submitting the very best work I am currently capable of producing.
Here is the first piece as it took shape:
This first photo shows the work after my first painting session, I have no idea how much time I spent up until this point on it, but it was all one painting session. I used three reference photos I had taken, but didn’t copy directly from any of them, just used them to spark ideas and give a general outline of what was happening.
I decided to block in some general darks and lights in the background, so that when I added background trees gaps in them wouldn’t show stark blue sky, because I’ve noticed in some of earlier paintings that sky showing through like that often makes the landscape look flat, or fake.
Then, here is the second in progress photo, a little more has changed at this point, one back ground tree has been added, and one more foreground tree.
Then I thought I was done, so I took a good picture with my good camera, but afterward, I noticed that the sky above the background trees looked “dirty” because of all the times I’d painted over to obscure the trees a little more in trying to achieve the atmospheric perspective:
So there is the painting that will be my first entry into the juried show. Because I am keeping it for the show, I can’t offer it for sale yet, however prints of it are available on my Fine Art America page, and if the original doesn’t sell during the show, it will be offered for sale afterward either in my local gallery, or in my Etsy shop.